DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
AFTER last year’s virtual edition, Berlin’s huge film festival returned this year to in-person events, with a boldly international programme the scope of which we we haven’t seen for some time.
The Golden Bear went to Alcarras by female Spanish director Carla Simon is a semi-autobiographical, bittersweet tale about belonging, set in her native village (Alcarras). Simon focuses solidly on the earth, and those who work it, examining society’s fractured relationship with agriculture and the disappearance of the old way of life.
The grandfather of the family was given the right to farm the land by the wealthy Pinyol clan during the Spanish civil war, in the days when your word was your bond. Nothing exists on paper, and the new Pinyol now wants to tear down the peach orchards to build fields of solar panels. With stunning camerawork in deliberately natural colour, it is an elegant film, acted with real power and a strong feeling for its ordinary farmers.
RITA DI SANTO talks to Scottish-Irish filmmaker MARK COUSINS about his new panorama of world cinema The Story of Documentary Film
RITA DI SANTO takes us through the prize winners, and takes the temperature of a festival that prioritised narratives of exile, state violence and class division
Rita Di Santo speaks to Hungarian director LASZLO NEMES about his new film, a portrait of the French Resistance leader and hero, Jean Moulin
LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze


