DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Picture This: Free Quentin Blake ecards
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
THERE are few, young or old, who haven’t come across the work of Quentin Blake, illustrator of Roald Dahl’s classic children’s stories such as 123, James and the Giant Peach, Matilda or Charlie and the Great Glass Elevator.
Instantly recognisable, his energetic “sketchy” drawing style is Blake’s very own.
He’s just designed a free series of endearing, funny and affirmative e-cards to enjoy and share with somebody you love, care about or who might need cheering up.
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