Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
“CRANACH’S work was daring for the time, especially when viewed against the backdrop of the political and religious upheaval surrounding him,” says Julie Finch, curator at Compton Verney gallery.
“But he also understood his market. Famous for working quickly, he employed a large workshop, which produced numerous versions on popular themes, such as Venus and Cupid or Adam and Eve.
“Instantly recognisable today, these works have become the archetypal images of temptation and its consequences.”
JIM JUMP describes how artists in Britain rallied to the anti-fascist cause
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist
Paul MacGee of Manifesto Press invites you to a special launch on Saturday August 2.


