CHRIS SEARLE recommends a work of love and deep admiration for a great musician
WHAT a great time to stage a theatrical version of Wuthering Heights, with Storm Ciara and her running-mate Dennis creating havoc.
Sadly, though, their fierce winds and torrential downpours create more passion and fear than this somewhat disappointing production of Emily Bronte’s classic novel.
It all starts so well, with the excellent Sophie Galpin and Becky Wilkie playing haunting guitar, synth drums and keyboard, evoking the perfect eerie and brooding soundscape for the disaster that is about to unfold.
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
PAUL FOLEY welcomes a dramatic account of the men and women involved in the pivotal moment of the 5th Pan African Congress
PAUL FOLEY picks out an excellent example of theatre devised to start conversations about identity, class and belonging


