DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Meet the cartoonist
The Morning Star's pages are enlivened by some of the country's best political cartoonists. One of them is Bristolian STELLA PERRETT
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
What prompted you to draw cartoons?
To try and pacify the bullies at school, plus a steady diet of British and American comics as a child.
Have you any formal artistic training?
Only up to O-level Art.
What's the most difficult thing about producing a cartoon?
The hardest part is often getting the spatial balance right on paper and the precise wording. Japanese artists say it’s what you leave out that is most important and they are right.
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