DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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‘We want to challenge the people who have influence’
Theatre director JOLLEY GOSNOLD tells Lynne Walsh why he's bringing an Ibsen classic bang up to date
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
ADAPTING a complex and politically charged classic by literary colossus Henrik Ibsen may seem daunting enough.
More than that, the new production of his play An Enemy of the People, about to open at The Playground Theatre in west London, promises “a new, diverse, modern adaptation,” a description which might strike dread into many a reviewer’s heart.
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