DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
IT IS Paris in the 1950s and semi-destitute university student Daniel Brodin, a self-styled poet, is being chased down the street by the owner of the legendary Minotaure bookshop.
Brodin had nicked a book and this time managed to escape by hiding in Cafe Serbier, a hotbed of literary confrontations where a poetry reading is on. Invited to chip in, he recites — as if it were his his own work — a poem from an Italian anthology of mad poets.
CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
MEIC BIRTWISTLE offers an appreciation of the renaissance man GARETH MILES
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist
ANDY HEDGECOCK and MARIA DUARTE review The Ceremony, Eddington, The Life of Chuck, and The Thursday Murder Club


