DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Refugee drama unwelcome in its ineptness
Stereotypes on stage: Welcome to the UK
[Jose Farinha]
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
Welcome to the UK
The Bunker Theatre, London
EXPECTATIONS were high for a new theatre piece focusing on the experiences of refugees and asylum-seekers, all too often victims to the vagaries of the Home Office and, at the centre of Welcome to the UK, is a great deal of heart.
The PSYCHEdelight company was set up by writer, director and psychotherapist Sophie NL Besse, who has delivered drama sessions in the Calais Jungle and their first show Borderline drew on real stories from people stuck there in the freezing cold, mud and fear.
And it drew in some real people too — Besse’s company includes refugees and this time round she has worked with the Women for Refugee Women drama group.
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