DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Best of 2018: Visual arts
by MICHAL BONCZA
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
THE PAINTINGS of Andrzej Wroblewski, who died tragically at the age of 29 in 1957 and who left work that was formally decades ahead of its time, got a welcome showing at Zwirner Gallery.
Ahead of its time: image from Andrzej Wroblewski's Executions
A committed communist, he engaged with the reality of post-war Poland in a manner that shocked the stifled art establishment and confounded the authorities.
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JAN WOOLF invigilates images that meditate on Palestine, and the people who witness them
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The creative imagination is a weapon against barbarism, writes KENNY COYLE, who is a keynote speaker at the Manifesto Press conference, Art in the Age of Degenerative Capitalism, tomorrow at the Marx Memorial Library & Workers School in London
Paul MacGee of Manifesto Press invites you to a special launch on Saturday August 2.