DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Picture This: Ilse D’Hollander, Victoria Miro gallery, London
Untitled, 1996, Oil on canvas, 31 x 38 cm;
Pics: © The Estate of Ilse D’Hollander / Courtesy The Estate of Ilse D’Hollander and Victoria Miro, London/Venice
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
FLEMISH painter Ilse D’Hollander committed suicide in 1997 at the age of 28 and only a single solo exhibition of her work was held during her lifetime. Yet in her short life she created intelligent, sensual work of rare clarity, beguiling composition and a breath-taking colour palette.
Mist, 1996, Oil on canvas, 53 x 47 cm; Pics: © The Estate of Ilse D’Hollander / Courtesy The Estate of Ilse D’Hollander and Victoria Miro, London/Venice
Born in Sint Niklaas, D’Hollander drew upon her experience of the Flemish countryside where she spent her highly productive final years of her life, producing over 500 paintings. A selection is now on show in a free exhibition at London's Victoria Miro Gallery.
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