MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
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‘You've got to stand up and keep shouting’
Mikron Theatre's VASHTI MACLACHAN and MARIANNE McNAMARA tell Susan Darlington what the message of the company's play marking the suffragette centenary is all about
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
“EQUALITY,” replies Vashti Maclachlan, when asked what message she’d like the audience to take away from her new play for Mikron Theatre. “We’re still not there yet and so you’ve got to stand up and keep shouting.”
That message comes across strongly in political satire Revolting Women, which marks the 100th anniversary of female suffrage. Told from the perspective of Sylvia, the less celebrated and most socialist Pankhurst, it makes it clear that only some women got the vote in 1918.
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