Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
THE interface between the real and the imaginary when it comes to human relationships has long excited the imagination of writers and theatre makers and it’s something that’s explored in Point of Echoes from choreographer Ben Wright.
In this intimate piece of dance theatre presented by bgroup and China Plate, a drama unfolds between a lighthouse keeper, his assistant and a female character, who switches from being the lighthouse keeper’s wife to his assistant’s dead brother.
At times ephemeral, at others she’s a concrete figure haunting both men’s memories of their relationship with her.
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
ANDY HEDGECOCK and MARIA DUARTE review The Ceremony, Eddington, The Life of Chuck, and The Thursday Murder Club
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston


