Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
EVERYBODY always seems to be leaving in Peter Gill’s affecting play The York Realist. But, at its centre, George (Ben Batt) can’t leave. Or maybe doesn’t want to.
To leave or not to leave is a very complicated matter in this impactful love story, first staged in 2001.
George a farm labourer, lives with his mother and he’s been cast in a Mystery play production in York, while the play’s assistant director John (Jonathan Bailey) has come to see why George has stopped attending rehearsals.
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth


