GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
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Unfinished business
Simon Gray's play on Soviet double agent George Blake is disappointingly incomplete, says LYNNE WALSH
DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
Cell Mates
Hampstead Theatre, London
HERE'S a jigsaw piece in the story of 95-year-old former MI6 officer George Blake, now living in a dacha close to Moscow, who recently gave interviews saying that he held fast to his communist beliefs and remained optimistic.
Double agent Blake, sentenced five years earlier to 42 years in prison, was helped in his “comic-book” escape from Wormwood Scrubs to the Soviet Union in 1966 by petty criminal Sean Bourke.
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