DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
Latest editorial
Frank Bowling, Tate Britain, London
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
BETTER late than never comes to mind, somewhat unhappily, when looking and Frank Bowling’s first major retrospective at Tate Britain.
Now 85, Bowling — Guyanese by birth — moved, aged 19, to Britain in 1953 and studied at the Royal College of Art. David Hockney and RB Kitaj were there too.
Comparisons are useless as all wash of him like water off a duck’s back.
Similar stories
MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis