DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
Ghost Dances
Rambert
Alhambra Theatre
Bradford
THE WHOOPS and whistles from the audience are more commonly associated with a Little Mix concert than a dance production. At their best, however, there’s something pleasingly populist about Rambert.
The troupe’s latest mixed programme features two crowd-pleasers, the first of which is Itzik Galili’s A Linha Curva.
A joyful burst of samba, its coloured lights form a grid around which the 26 performers move.
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company
SUSAN DARLINGTON swoons in the presence of a magnetic frontman
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
MIKE COWLEY welcomes half a century of remarkable work, that begins before the Greens and invites a connection to — and not a division from — nature


