MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
After seeing the British Museum's Sunken Cities exhibition
Caroline Maldonado
The sea between Alexandria and Crete
tips up dinghies, spills out their cargo,
summons one hundred and seventeen lives below
to stock its own museum. Record this date.
A mother holds her baby high to be saved
before she drowns; a man sinks like a column,
like a statue, but not for him a resurrection,
no human limb is fashioned with granite’s weight
nor is soft flesh preserved in metres of silt.
Their corpses like buoyant wood are swept by waves.
Today all along the shoreline they drift.
A fisherman comes upon a sandy grave,
returns to shroud each body with a cloth
as more emerge, not one of them with breath.
ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
ANDY CROFT welcomes the publication of an anthology of recent poems published by the Morning Star, and hopes it becomes an annual event
RUTH AYLETT reviews two collections of outright political poetry
by Widad Nabi


