Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
“I KNOW you can’t talk. That’s what I like best.” So says Hanna Schygulla’s character Marie in Katzelmacher, Rainer Werner Fassbinder’s second feature film.
She’s addressing Greek “guest worker” Jorgos, played by Fassbinder, who disrupts the lives of an aimless, alienated friendship group in Munich.
Like all of Fassbinder’s films, it sets out to interrogate the prejudices and unspoken crises of post-war German society.
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review The Six Billion Dollar Man, Avatar: Fire and Ash, Goodbye June, and Super Elfkins
April 9 1928 – July 26 2025


