Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
The Girl on the Train (15)
Directed by Tate Taylor
3/5
IF YOU’RE not one of the millions who have read Paula Hawkins’s best-selling psychological thriller, then this much-anticipated film adaptation will prove a tense and gripping ride.
The book, described as the next Gone Girl, has an annoyingly confusing — and pretentious — non-linear story, told from the point of view of three women. Rachel, Anna and Megan are odious characters, none of whom have a redeeming feature between them.
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
ANDY HEDGECOCK and MARIA DUARTE review The Ceremony, Eddington, The Life of Chuck, and The Thursday Murder Club
MARIA DUARTE and ANGUS REID review Friendship, Four Letters of Love, Tin Soldier and The Ballad of Suzanne Cesaire


