Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
The Innocents (15)
Directed by Anne Fontaine
4/5
THE FRAGILITY of faith when faced with the worse of human actions is explored in this powerful and multi-layered drama, based on a remarkable yet little-known true event.
It’s set in the winter of 1945 in Poland, where we see French Red Cross doctor Mathilde Beaulieu (a luminous Lou de Laage) entreated to help a group of nuns at a nearby convent. There, she discovers one is about to give birth while several more are heavily pregnant. They are all frightened and deeply ashamed, having been systematically raped by Russian troops.
The fear, the shame, the trauma and a crisis of faith are examined poignantly and skilfully in director Anne Fontaine’s finest film to date.
It’s hard to comprehend the horrors these women faced, which they desperately tried to keep secret at all costs with the help of their Mother Superior (a magnificent Agata Kulesza).
A haunting drama.
Review by Maria Duarte
American Pastoral (15)
Directed by Ewan
McGregor
4/5
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
MARIA DUARTE and ANGUS REID review Friendship, Four Letters of Love, Tin Soldier and The Ballad of Suzanne Cesaire
MARIA DUARTE recommends the ambitious portrait of an agricultural community confronted by the trauma of enclosure


