Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
Cymbeline
The Royal Shakespeare Theatre,
Stratford-upon-Avon
2/5
SHAKESPEARE doesn’t make life easy for director or cast with this late play.
Incorporated in it is a kaleidoscope of styles and some of his most complex language and he almost challenges any company to find coherence in a play that George Bernard Shaw described as “stagey trash of the lowest melodramatic order.”
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today


