Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
My People
Theatr Clwyd, Mold
3/5
STEFFAN DONNELLY’S skilled adaptation of Caradoc Evans’s My People has cleverly knitted 12 disparate stories from a century ago into a 2015 frame.
An impressive cast, working their socks off, play multiple characters in this fast-moving ensemble piece and the solutions which directors Donnelly and Aled Pedrick and designer Cecile Tremolieres have found to the significant demands of the script are effective, inventive and often witty.
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company
CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
STEVE JOHNSON relishes a celebration of the commonality of folk music and its links with the struggles of working people the world over
ANDY HEDGECOCK relishes an exuberant blend of emotion and analysis that captures the politics and contrarian nature of the French composer


