Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
Here We Go
National Theatre, London SE1
4/5
CARYL CHURCHILL’S reputation guarantees her a main-stage production for almost anything she writes.
Nevertheless many will be surprised that her new piece Here We Go appears in the National’s repertoire, given the play’s brevity at only 40 minutes and its blatant daring in devoting almost half the running time to a scene where two actors perform in total silence.
ANGUS REID applauds the potential of an ambitious show about Gaza, and encourages it to keep its nerve
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth


