GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
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Gale Burns - We Are at War
Edited by JODY PORTER
DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
We Are at War
Gale Burns
and now we know we always were. Slaves
to the appearance of things, fooled by the promise of permanence,
the accumulation of trappings, the celebration of this:
the first generation kept from battle, soft hands, suckled, suckling still.
But signs were all around: the mental patient consigned to weeks of sleep;
the silted air; suburban privet clipped to re-assure;
Similar stories
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
In verse and polemic, the bard points out that he is a poet and musician, not a political party
ADRIAN WEIR charts the intercontinental trade union solidarity with Cuba and its desperate predicament
ANDY CROFT welcomes the publication of an anthology of recent poems published by the Morning Star, and hopes it becomes an annual event