CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
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Memorable marks of the collective spirit
MIKE QUILLE recommends paintings of working-class life on Teesside
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
In verse and polemic, the bard points out that he is a poet and musician, not a political party
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Beyond The Wilderness Road: Paintings By David Watson
McGuinness Gallery, Bishop Auckland/Constantine Gallery, Middlesbrough
4/5
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MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
JAN WOOLF invigilates images that meditate on Palestine, and the people who witness them
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist
MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives