LAST September I reported on The World Transformed festival, organised by Momentum alongside the Labour Party conference in Brighton. Building on the commitments in the 2017 Labour Manifesto, it included several workshops on culture looking at what the elements of a radical culture policy might be.

That manifesto, clearly reflecting the personal vision of Jeremy Corbyn and his team, was a marked improvement on previous ones. He was the only candidate in 2015 to support the role of the arts in nourishing everyday creativity and its potential for political dissent.

The manifesto also backed policies to improve working-class access to culture, both as workers in creative industries and as  spectators and consumers of culture.

The open, participatory nature of politics which the Brighton workshops exemplified has now become the Movement for Cultural Democracy, with a new website colouringinculture.org and a series of planned regional events to consult on what a radical culture manifesto should look like.

Culture is more than just the arts — culture is ordinary and culture is everything, as Raymond Williams said. It includes all the cultural activities that are essential for our enjoyment, entertainment, enlightenment and exercise as fulfilled human beings.

Cultural democracy is about reclaiming and developing our artistic, intellectual, physical and spiritual commons, about struggling in a democratic and socialist way to overcome the profit-driven pressures which make all kinds of cultural activities expensive, inaccessible or irrelevant or, even worse, when they facilitate surveillance and manipulation  — as in the current Facebook scandal — instead of nurturing human development and liberation.

As Len McCluskey said in the Morning Star a few months ago: “Unite, Britain’s biggest trade union, believes that our members, and working people generally, have an equal right to join in and enjoy all the arts and cultural activities. We believe we should be able to afford them, be near to them and be able to enjoy them.

“Most of all, we believe artists and leaders of cultural institutions – not only theatres, art galleries, concert halls and poetry publishers but sports clubs, churches, and broadcasting and media corporations – should seek to engage with all sections of the community, particularly the least well off.”

Such radical calls for the democratisation and socialisation of culture should be at the heart of a new culture policy. Our profit-driven capitalist economy seeks to destroy or co-opt the potential of the arts to express dissent and imagine alternatives.

And it shrinks from the spectre of everyday, emerging communism, which is generated naturally when people get together in generous solidarity to enjoy the arts, sport, science, eating and drinking and so much else. It throws up barriers between social classes, genders, ethnic groups, building divisive walls based on the private ownership of property.

We need to break down those walls. We need to reclaim and renew our artistic, physical, intellectual and spiritual commons. We need to democratise and socialise our cultural institutions – the art gallery, the football club, the newspaper, the church and the laboratory, as well as the economic and political ones – the factory, the corporation, the council, Whitehall and Westminster.

Their walls are our stones.

Culture Matters runs a website, publishes poetry, delivers cultural education for trade unionists and runs arts awards. It has just launched the 2018 Bread and Roses Poetry Award, sponsored by Unite. For details, see culturematters.org.uk