MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
THE ALL Too Human exhibition currently on at Tate Britain in London celebrates painters in this country who strove to communicate intimate relationships between human subjects and their surroundings.
Alongside works by Lucian Freud and Francis Bacon, rarely seen paintings from their contemporaries, including Frank Auerbach and Paula Rego, are on show, with canvases from Walter Sickert to David Bomberg expressing the tangible reality of life through paint.
While the focus is mainly on male artists, the inclusion of work by Paula Rego is an opportunity to view some of her brilliantly executed canvases with their disturbing narratives of strong women in sometimes nightmarish situations, whether domestic or political.
Rego often draws on folk tales and work by the Old Masters to construct stories on canvas which depict women as animalistic, “unfeminine” or brutal.
MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist
MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives


