CHRIS SEARLE recommends a work of love and deep admiration for a great musician
DEEP in the hustle and bustle of the port of Bari in southern Italy beats a cosmopolitan heart and at its centre is the Bari international film festival BIFEST, now in its ninth year.
This time round, BIFEST featured the work of directors of the calibre of Gianni Amelio, Marco Bellocchio and Ferzan Ozpetek, alongside rising talents such as Vincenzo Marra, Paolo Sassanelli, Roberta Torre and Roberto De Paolis.
Special events included a concert paying homage to Alberto Trovajoli, one of the great Italian film composers, a restored version of Bernardo Bertolucci’s Last Tango in Paris and a retrospective on maverick director Marco Ferreri.
RITA DI SANTO takes us through the prize winners, and takes the temperature of a festival that prioritised narratives of exile, state violence and class division
Rita Di Santo speaks to Hungarian director LASZLO NEMES about his new film, a portrait of the French Resistance leader and hero, Jean Moulin
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse


