DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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‘Writing this tune was a very emotional process’
MAKIKO HIRABAYASHI talks to Chris Searle about her elegiac reflection on the Fukushima tsunami
EVER INVENTIVE: Makiko Hirabayashi
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
COSMOPOLITAN to her very musical core, pianist Makiko Hirabayashi was born in Tokyo in 1966. Her mother was a pianist and English teacher and her father worked in the motor industry.
They moved to Hong Kong, where Hirabayashi spent her teenage years imbibing electropop, new wave, punk, reggae, rock and the classics before gaining a scholarship to Berklee jazz conservatoire, where she became fascinated by Boston’s live music scene and was inspired by pianists Keith Jarrett, McCoy Tyner and Joe Zawinul.
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As part of the 2025 London Jazz Festival Rich Mix offered intriguing sessions titled 'Persian Jazz,' CHRIS SEARLE was there