DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Blown away
CHRIS SEARLE is transported by a combative fusion of US and UK instrumentalists and landmark evening of jazz
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
Darius Jones, John Edwards and Steve Noble
Cafe Oto, London
A HOT, hot Sunday night in downtown Dalston, made even hotter at the Cafe Oto with the boiling sound of Darius Jones’s alto saxophone, straight from the heat of the USA.
Jones, born in Norfolk, Virginia in 1978 and now a Professor of Music at Wesleyan College, Connecticut, was playing in a superfine trio with two British nonpareils, bassist John Edwards and drummer Steve Noble. And how they coalesced! Their notes bestrode the ocean, as a certain Elizabethan groover might have written, as if no geographical gulf or barrier can stop the free passage of hot music.
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