STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
THE 2001 film Amelie has so many iconic scenes that it takes a brave person to adapt it for the stage.
Craig Lucas partly circumvents direct comparison in this musical version which, while maintaining the original’s surreal whimsicality, simultaneously makes it more physically grounded.
The basic story is untouched. Amelie, a lonely girl raised by a neurotic mother and iceberg father, spreads happiness in the lives of other people while ignoring her own needs. That changes when she meets the gently eccentric Nino and is forced to confront her own dream world.
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
New releases from Kneecap, Sam Blasucci, and Juni Habel
WILL STONE applauds a comprehensive survey of love in its many moods and musical forms
DAVID NICHOLSON recommends a dazzling production of Bernstein’s opera set in a world where chaos and violence are greeted by equanimity


