STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
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‘Are we the same person? If not, when and why not?’
Radical playwright DAVID EDGAR talks to Mayer Wakefield about the personal and political questions posed in his one-man show Trying It On in which, at the age of 70, he confronts his 20-year-old self
David Edgar
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
JAN WOOLF relishes an extensive history of our long relationship to trees in Britain that underlines the current emergency
DIANE WATT argues that while evidence of sex is not there, a 16th‑century lesbian poet could be Scotland’s answer to Gentleman Jack
WHAT did a 20-year-old David Edgar make of events in 1968?
I was very inspired by them. I came to university from a public school, where I’d been involved in CND and was very much opposed to the Vietnam war.
But when I got there, I was quite taken aback by the revolutionary left, whose rhetoric and politics were much further to the left than anything I’d come across before.
In April 1968, I found a mentor — a leading radical student — who said to me just after the Tet offensive: “Why do you think the Viet Cong were able to get into the compound of the [US] embassy?
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