CHRIS SEARLE recommends a work of love and deep admiration for a great musician
SOME books take on a life of their own that’s bigger than the author ever imagined and that’s true of Jules Verne’s Around the World in 80 Days, a fast-moving adventure now synonymous with the image of a hot-air balloon.
Yet such a mode of transport is never employed in the original 1873 novel and that misconception is a running gag in Toby Hulse’s irreverent adaptation in its frequent referencing to travelling by balloon as we follow the exploits of Phileas Fogg and his manservant Passepartout.
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
DAVID NICHOLSON recommends a dazzling production of Bernstein’s opera set in a world where chaos and violence are greeted by equanimity
WILL STONE applauds a fine production that endures because its ever-relevant portrait of persecution


