STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
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Canada’s environmental self-delusion
SYLVIA HIKINS recommends a graphic novel that lays bare the human and environmental costs of opencast mining in Alberta
Illustrations: Kate Beaton
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
JAN WOOLF relishes an extensive history of our long relationship to trees in Britain that underlines the current emergency
DIANE WATT argues that while evidence of sex is not there, a 16th‑century lesbian poet could be Scotland’s answer to Gentleman Jack
Ducks — Two Years in the Oil Sands
by Kate Beaton
Jonathon Cape £25
KATE BEATON is a Canadian writer and cartoonist. The book, Ducks — Two Years in the Oil Sands, is her first full-length graphic narrative, a memoir dramatically played out in cartoon format.
Beaton comes from Cape Breton on Canada’s East Coast, an area where the major industries, oil and fishing, went into sharp decline and as a consequence, local people had to seek employment elsewhere.
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MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
SYLVIA HIKINS recommends a fascinating, revealing, superbly acted evening of theatre
SYLVIA HIKINS relishes Jeanette Winterson’s brilliant hijack of 1001 Nights to push aside the boundaries set by others
Star cartoonist MALC MCGOOKIN finds lessons for today in the punch, and the economy of line, of an extraordinary generation of illustrators