STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
Spring Awakening
Almeida Theatre
SATER and Sheik’s multi-award winning musical version of Wedekind’s controversial 1891 play dealing with pubescent sexuality and angst in an uncompromising and authoritarian adult world is revived on stage in this striking new production.
Set around two single sex schools and 13 students, Wedekind’s tragic original script is stripped down and updated with 20 memorable songs but still clearly evident.
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
DAVID NICHOLSON recommends the staging of this Wagnerian classic minus one or two insignificant quibbles
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying


