MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
NUMEROUS versions of Edmond Rostand’s 1897 play about the hot-blooded 17th-century swordsman, poet and philosopher, cursed with a nose of excessive proportions, have filled hours of stage and film time.
This latest version by Bristol Old Vic is a fun-filled, triumphant addition.
With a nod to commedia dell’arte, Peter Oswald’s translation and Tom Morris’s direction inject a lightness of touch, while contemporary references shift the production away from any specific time period.
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
DAVID NICHOLSON recommends a dazzling production of Bernstein’s opera set in a world where chaos and violence are greeted by equanimity
GORDON PARSONS joins a standing ovation for a brilliant production that fuses Shakespeare’s tragedy with Radiohead's music


