STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
ORIGINALLY performed in 1913, St John Irvine’s Jane Clegg now appears to be the most conventional of plays.
Yet this straightforward tale of a woman realising her power remains an important historical document of a time when the portrayal of female characters in British drama was radically shifting in response to the suffragette movement.
PETER MASON thrills to the sound of south London-born Yussef Dayes, and the galaxy of musicians drawn into his orbit
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying


