STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
THE opening of A Lesson From Aloes lulls you into false sense of security.
Piet and Gladys Benzuidenhouts are having a lazy afternoon in their isolated Port Elizabeth back yard, awaiting a visit from his old friend Steve and his family. There’s talk of sunburn, the resilience of aloes and the significance of names — underlined by a Romeo and Juliet quote — but little more.
Fortunately, when you are in the hands of South Africa’s master dramatist you know you won’t be underwhelmed for long and, slowly, Athol Fugard begins to turn up the heat.
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth


