MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
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‘May your choices reflect your hopes, not your fears’
The Nelson Mandela statue in Pretoria epitomises the early, but yet to be fulfilled, promise of an all-embracing prosperous ‘Rainbow Nation’
THE REDEEMER: Nelson Mandela statue in Pretoria
[Haruba-bad/Creative Commons]
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
JAN WOOLF relishes an extensive history of our long relationship to trees in Britain that underlines the current emergency
DIANE WATT argues that while evidence of sex is not there, a 16th‑century lesbian poet could be Scotland’s answer to Gentleman Jack
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
NELSON MANDELA died eight years ago on December 5 2013. This statue of him was unveiled on December 16 — the official Day of Reconciliation — thus ending the 10-day-long period of mourning.
The nine-metre-high bronze figure is the tallest figurative statue of Nelson Mandela and weighs approximately 3.5 tonnes. Its outstretched arms span eight metres and are uncannily reminiscent of Paul Landowski’s 1930 art deco Christ the Redeemer overlooking Rio de Janeiro from the Corcovado mountain peak.
The statue, which emanates warmth, humanity and welcome, was cast in 147 separate pieces at four different foundries before being assembled in Cape Town.
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