MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
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Nicely nicely does it
WILL STONE revels in a brilliant, immersive revival of the 1950s musical
Cedric Neal (Nicely-Nicely Johnson) and the cast of Guys & Dolls
[Manuel Harlan]
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
JAN WOOLF relishes an extensive history of our long relationship to trees in Britain that underlines the current emergency
DIANE WATT argues that while evidence of sex is not there, a 16th‑century lesbian poet could be Scotland’s answer to Gentleman Jack
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
GUYS & DOLLS
The Bridge Theatre, London
THIS immersive revival of the classic ’50s musical Guys & Dolls knocks it out of the park.
So immersive is director Nicholas Hytner’s unique staging that you’d be forgiven for mistaking it at times for a Punchdrunk production, a forerunner of the genre.
Those with so-called “promenade” tickets are allowed to roam the stage floor at will, intermingling with the actors who portray the various gamblers, gangsters, drunks and dancers of the 1930s New York underworld.
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KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
WILL STONE is impressed by a tour de force rendition of three decades’ worth of orchestral chamber pop