STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
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A poignant remembrance of things past
FM Dostoevsky Academic Drama Theatre in Nizhny Novgorod, designed by V Somov, built in 1987
[Arseniy Kotov]
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
JAN WOOLF relishes an extensive history of our long relationship to trees in Britain that underlines the current emergency
DIANE WATT argues that while evidence of sex is not there, a 16th‑century lesbian poet could be Scotland’s answer to Gentleman Jack
SOVIET CITIES Labour Life Leisure
by Arseniy Kotov
FUEL £24.95
“I WAS born in 1988 and have no experience of life in the USSR, but looking at its architecture it is clear that it was a great civilisation with a genuine intention to build a fairer society,” writes Arseniy Kotov in the introduction to his fascinating photographic record of the Soviet Union interrupted.
Kotov denotes the ever-present art on the facades of buildings, particularly housing estates, with motives from socialist life and regrets the demise of the architecturally legendary palaces of culture — vibrant communal hubs with workshops, lectures, performances — these days transformed into indoor markets where now, its once gainfully employed visitors and participants, eke a meagre living.
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