STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MATT HAIG’S best-selling book gets an assured adaptation for the stage by April De Angelis in this production, during which The Older Matt (Phil Cheadle) acts as commentator, calmly taking us through the Younger Matt’s darkest days and gradual emergence from suicidal thoughts and hopelessness.
As the physical incarnation of the voice in his younger self’s head, he’s able to supply the insight to continue living that friends and family cannot.
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
STEPHEN ARNELL looks back to when protesters took to the streets in London demand to Irish liberty, fair pay and free speech — and wonders what’s changed in 138 years
SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong


