STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
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Two Ladies, Bridge Theatre, London
Perceptive insights on first ladies' subservient relationships with powerful presidents
Striking similarity: Zoe Wanamaker as Helen in Two Ladies
[Helen Maybanks]
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
JAN WOOLF relishes an extensive history of our long relationship to trees in Britain that underlines the current emergency
DIANE WATT argues that while evidence of sex is not there, a 16th‑century lesbian poet could be Scotland’s answer to Gentleman Jack
LOCKED down in a conference room overlooking the Cote d’Azur, the wives of the US and French presidents await the outcome of a summit conference debating joint military retaliation for terrorist acts in the US.
Zoe Wanamaker’s Helen, the previously married, considerably older wife and former teacher of her husband, bears striking similarities to Brigitte Macron while Zrinka Cvitesic as Sophia, the Yugoslavian born ex-model, is not a million miles from Melania Trump.
And their relationships with their husbands also mirror the current first ladies’ apparent roles — the first plays an active part in presidential political life, the latter is a trophy wife to be flaunted in public.
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