CHRIS SEARLE recommends a work of love and deep admiration for a great musician
CREATED to mark the bicentenary of Queen Victoria’s birth, this new production from Northern Ballet is very much an exercise in historiography.
It’s told through the eyes of her youngest daughter Beatrice, who in the first act examines how she was cast in the role of companion and literary executioner to her mother. In the second act, she reads pages of the queen’s diaries and in a sequences of flashbacks discovers the circumstances that moulded Victoria’s character.
Ever present, Pippa Moore’s Beatrice both observes and rewrites history through the pages she peruses and excises and, in some of the most powerful scenes, she gains self-awareness by observing her younger version, played by Miki Akuta.
LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston
Why not pay a visit to Feile an Phobail, a people’s festival of community arts with roots in the days of internment without trial, and where the spirit of solidarity remains undimmed, says LYNDA WALKER


