STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIKE BARTLETT'S opening play in Hampstead Theatre's short season of free weekly online productions owes much to Pinter's comedies of menace, with their characteristic mixture of humour, mystery and lurking fear.
Like The Dumb Waiter, originally planned for Hampstead's main theatre programme — now postponed — Wild is set initially in a recognisable social context, with the plot progressively leaving the target character bewildered and unhinged.
Michael, played by Jack Farthing, is a somewhat naive Edward Snowden-type whistleblower who, having leaked a massive stash of incriminating Pentagon documents, is on the run.
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship


