The bard celebrates two other fine practitioners of the art, and laments a lost brewer
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Youthful existential angst
IAN SINCLAIR reviews the latest albums by Tallies, Keith Jarrett and Beirut
This right-wing conspiracy theory is used to justify the coercive measures against gender, race and labour rights that best serve capitalism, attests GAVIN O’TOOLE
KENNY MONROSE recommends a new exhibition that highlights the significance of Black British music
ANGUS REID is bowled over by an exuberant film about the making of Keith Jarrett’s legendary concert
MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
Tallies
Tallies
(Fear Of Missing Out Records)
★★★★
WITH the very young founding members having met on a sound engineering course at college, Toronto four-piece Tallies cite The Smiths, The Sundays and the Cocteau Twins as key influences.
The melodic jangle of indie pop on their self-titled first album certainly echoes these seminal 1980s bands but arguably they sound most similar to their Canadian cousins, the better known Alvvays, especially on tracks like Have You and the gorgeous Mother. “My mother taught me to ask questions/She said that boyfriend will not do,” frontwoman Sarah Cogan sings on the latter.
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