MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
“THIS is the apocalypse,” warns Shirley Manson on the song No Horses and the starkness of that sentiment is undercut by a driving beat and backwards guitar, making it the perfect virtual soundtrack for Extinction Rebellion, staging a protest across town in an attempt to get the government to avert climate Armageddon.
It’s one of the few timely interventions by Garbage during their first Leeds gig for 20 years for, as futuristic as their fusion of industrial rock, electronic music and grunge sounded when they released their eponymous debut album in 1995, the US-British quartet have never really embraced change.
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
New releases from Shearwater, Florry, and Navy Blue
New releases by Porridge Radio, The Cribs, and Bjorn Meyer
NEIL GARDNER listens to a refreshingly varied setlist that charts Cabaret Voltaire's voyage from avant-garde experimentalists to techno pioneers


