STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
THE PAPATANGO New Writing Prize never fails to deliver a stimulating work and this year’s winner is no exception.
Samuel Bailey’s timely debut play takes us behind the peeling walls of a young offender institute where three 16 to 17-year-olds — Cain (Josh Finan), Riyad (Ivan Oyik) and Jonjo (Josef Davies) — are taking “shit parenting classes” to escape the menacing monotony of prison life.
New prison instructor Grace (Andrea Hall) is tasked with trying to teach nappy changing and CPR, but keeping the boys’ focus proves to be her greatest challenge. All three are facing long sentences and although they have dreams of making lives for themselves outside, their hope is being drained by a system only concerned with short-term discipline rather than lasting reform.
DENNIS BROE recommends two new series on Apple TV for their examination of inequality and skewed morals
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
MAYER WAKEFIELD recommends a musical ‘love letter’ to black power activists of the 1970s


