STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
CELEBRATING the fragility of live performance is one of Fullrogue’s missions and with this inaugural production they consistently challenge the boundaries of theatre.
Marek Horn’s deliberately chaotic script follows the meetings of two friends on a Dorset beach over the last four centuries, loosely using history to explore their changing roles and expectations and wild swimming as the metaphor for their freedom.
The play ranges from the confines of restricting Elizabethan sexual identity through the dawning aspirations of women during the Romantic era and the social upheaval of 20-century inter-war Britain to the present day and troubled issues of identity.
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is intrigued by a biography of the Marxist intellectual and author, made from the point of view of his son
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong


