STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
Treasure Island
Royal Lyceum, Edinburgh
I relish it when a theatre company has the guts to eviscerate a classic.
In Warsaw in 1990 I saw a Polish production of Chekhov’s The Seagull that reduced the play to deckchairs, extended pauses and daft symbolism in a witty and absurdist act of cultural vandalism. It was a brilliant East European engagement with things Russian and the deconstruction worked because the audience shared the sense of purpose with which it was done.
What of things Scottish?
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
ANGUS REID applauds the potential of an ambitious show about Gaza, and encourages it to keep its nerve
The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
ANGUS REID squirms at the spectacle of a bitter millennial on work experience in a gay sauna


